In Order Not To Be Here is an interesting experimental 2002 film directed by Deborah Stratman. This movie portrays a fascinating perspective about the suburbian American landscape. This film hypothesizes that there is fear behind the design of white collar communities. For example, people turn on their televisions because they are afraid of being alone with their thoughts. This movie points out the hollowness found within the minds and hearts of 21st century suburban and corporate culture. It creates a unique artistic element by being filmed at night. In Order Not To Be Here explores why people find these areas desirable.
